The mission of The Department of Afro-American Research Arts and Culture to identify the global significance of the creative contributions pioneered by an international diaspora of Blackness
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Wednesday, December 14, 2011

Tougher Than Leather (1988)








Starring:

  • Darryl McDaniels
  • Daniel Simmons
  • Jason Mizell
  • Joseph Simmons
  • Richard Edson
  • George Godfrey

IMDB.com
Legendary hip-hop group Run-D.M.C. stars in this cross between a blaxploitation film and a spaghetti western. They must find and punish the evil drug lord-record company executive who murdered their friend. Along the way, they encounter racist bikers, blonde bimbos, and the Beastie Boys!

The Zebra Killer (1974)







Starring:

  • Juanita Moore
  • Austin Stoker
  • James Pickett
  • Hugh Smith

IMDB.com
Although this is classified as a "blaxploitation" film, it manages to be much more race-baiting than usual by having a white sniper (obviously modeled after Scorpio from "Dirty Harry" and thus indirectly modeled after the real-life Zodiac Killer)who disguises himself in black-face as he commits incendiary crimes against middle-class whites (which his why he is called "the zebra killer"--not because he kills any zebras). The good guy cop meanwhile is a black guy, thus giving the title its blaxploitation credentials. Still the plot was apparently pretty controversial which is no doubt why this film is pretty hard to find today even though it is probably cult director William "Grizzly" Girdler's best film.

It is obviously the kind of film that couldn't be made today, and that alone in my book makes it worth a look. Unfortunately, the version I saw looked awful suffering from both bad original film elements and tracking problems from one of the few remaining videotapes that is still circulating around. I'd like to see this film resurrected on DVD. Fat chance though probably since many of Girdler's early films (like the vastly inferior, but much less controversial "Three on a Meathook")have yet to see the light of a DVD player. Still they released the even more racially-insensitive "Fight for Your Live" (although that film had the advantage of actually having been banned in Britain)so maybe there is hope.

Monday, December 12, 2011

A Place Called Today (1972)




















Starring:


Storyline
When an African American lawyer runs for mayor, a racially divided community erupts into violence. Bigoted white people clash with black citizens, members of militant black groups retaliate, and no one is safe.

Various Artist - Thank God It's Friday (1978)




01. Love and kisses - Thank God It's Friday
02. Pattie Brooks - After Dark
03. Donna Summer - With Your Love
04. Donna Summer - Last Dance
05. Paul Jabara - Disco Queen
06. Cameo - Find My Way
07. The Commodores - Too Hot Ta Trot
08. Wright Bros Flying Machine - Leatherman's Theme
09. Marathon - I wanna dance
10. Sunshine - Take It To The Zoo
11. Santa Esmeralda - Sevilla Nights
12. Love and Kisses - You’re the most precious thing in my life
13. D.C. LaRue - Do You Want The Real Thing
14. Paul Jabara - Trapped in a stairway
15. Natural Juices - Floyd's Theme
16. Diana Ross - Lovin', Livin', And Givin'
17. Thelma Houston - Love Masterpiece
18. Donna Summer - Last dance (Q's For The Good Ole Days Mix)
19. Donna Summer - Je T'Aime... Moi Non Plus

Amazon.com
Sure, Thank God It's Friday is widely acknowledged to be a turkey. And, sure, we're getting close to the bottom of the disco barrel. But this soundtrack isn't as atrocious as you might expect, especially if you have a high tolerance for disco's Euro strain. Unlike Can't Stop the Music and its exclusive Village People focus, there are many artists represented here, ensuring a fair amount of nuggets next to abominations like Santa Esmeralda. The tracks produced by Giorgio Moroder and his acolyte Pete Bellotte are particularly lush in a robotic kind of way. Donna Summer's contributions include the classic "Last Dance" and a pretty fabulous version of Serge Gainsbourg's "Je t'Aime Moi Non Plus"--a good 20 years before it was hip to cover him, we might add.